The Bus to Abilene

A well-known study out of UC Berkeley by organizational behavior professor Philip Tetlock found that television punditsthat is, people who earn their livings by holding forth confidently on the basis of limited informationmake worse predictions about political and economical trends than they would by random chance. And the very worst prognosticators tend to be the most famous and the most confidentthe very ones who would be considered natural leaders in a Harvard Business School classroom.

The U.S. Army has a name for a similar phenomenon: “the Bus to Abilene.” “Any army officer can tell you what that means,” Colonel (Ret.) Stephen Gerras, a profesor of behavioral sciences at the U.S. Army War College, told Yale Alumni Magazine in 2008. “It’s about a family sitting on a porch in Texas on a hot summer day, and somebody says, ‘I’m bored. Why don’t we go to Abilene?’ When they get to Abilene, somebody says, ‘You know, I didn’t really want to go.’ And the next person says, ‘I didn’t want to goI thought you wanted to go,’ and so on. Whenever you’re in an army group and somebody says, I think we’re all getting on the bus to Abilene here,’ that is a red flag. You can stop a conversation with it. It is a very powerful artifact of our culture.”

The “Bus to Abilene” anecdote reveals our tendency to follow those who initiate actionany action.

(Excerpted from Quiet: The Power of Introverts in a World That Can’t Stop Talking by Susan Cain.)

tresbienvisuals:

Très Bien Spring 2013 lookbook shoot

tresbienvisuals:

Très Bien Spring 2013 lookbook shoot

showstudio:

‘Nude With Skeleton’, Marina Abramović, 2002 

showstudio:

‘Nude With Skeleton’, Marina Abramović, 2002 

(via jesuisperdu)

Kumare, Vikram Gandhi, 2011

My evening bus ride from Vancouver to Seattle.

My evening bus ride from Vancouver to Seattle.

All black leather Jordan Spizike. If I see you walkin around with a pair, you bit me, you’re bitin, ya bit.

All black leather Jordan Spizike. If I see you walkin around with a pair, you bit me, you’re bitin, ya bit.

"The cinema is the great compensatory art, the one that natural-born artists who lack any particular technical skill, craft, or knowledge gravitate toward, because it’s the one where the equipment itself supplies most of the needed technique. The artists need only bring their being—because being is the cinema’s very stuff and subject. That’s why it’s wrong to call movies a visual medium; it’s a shorthand that I’ve indulged in, too, but there’s actually no such thing as a beautiful image. If a director happens to be endowed with a visual gift (such as Stanley Kubrick, who started as a photographer), so much the better, but what makes an image beautiful is that it’s infused with a beautiful soul. That’s why there’s no formula for recognizing or identifying a beautiful image; it’s not definable as a geometric or formal quality, but rather, essentially, as a communion of kindred spirits that’s describable only in terms as literary as literature itself."

Upstream Color, Shane Carruth, 2013

An Oversimplification of Her Beauty, Terence Nance, 2013

(thnx RJ) 

“Wildcat” “dir. by Khalil Joseph, music by Flying Lotus